The Ill-Tempered Piano

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  1. Body Hair Rag
  2. Princip
  3. Macrominiature
  4. True Story
  5. Accent Elimination 1
  6. Blink
  7. Pastime
  8. Celestino
  9. Scemofonia
  10. Tibidabo
  11. Sredni Vashtar
  12. Flimflam
  13. Accent Elimination 2
  14. Ear Worm
  15. Outsourced Music
  16. Astragalizousa
  17. Crime Watch
  18. The Odd Ones
  19. The Petrarca Brothers
  20. Self-Saluting Unit
  21. La Deutsche Vita
  22. Paramour
  23. Adopt a Highway
  24. Gentleman Cow

The Ill-Tempered PianoNicola Cipani - LSRCD109

“The Illl-Tempered Piano” è il primo album del pianista Nicola Cipani, che esegue improvvisazioni su pianoforti rotti e scordati – un debutto sorprendente per la varietà delle soluzioni ritmico-melodiche e per la
reattività dell’esecutore alle insolite caratteristiche di ogni singolo strumento. Le registrazioni sono state realizzate nell’arco di due anni in vecchie fabbriche e magazzini di New York, su pianoforti(la collezione include però anche un clavicordo) in alcuni casi tanto danneggiati da potersi riconoscere a stento; ma l’idiosincrasia di ogni strumento, più che come limite, è affrontata come nuovo punto di partenza. Dagli strani paesaggi acustici di questi pianoforti esce una raccolta di esperimenti sonori sorprendentemente freschi, intensi e compiuti. Una musica imprevedibile ma evocativa – da ascoltare e riascoltare

Here’s an elegant idea brilliantly realized. Nicola Cipani is a pianist who scouted the New York City area for broken or untuned pianos to improvise on. The variety and intrigue of timbres he found at his fingertips is as exciting as you might hope for. Clusters splatter; melodies buzz and sputter; notes grunt instead of singing. Nicola strikes a great balance between the viscerality of timbral jump-cut action (think Kagel) and the milder thrills of elliptical phrases changing slope. Because it’s the keyboard being played, not the strings themselves, the music is much closer to the perverse percussive perambulations of prepared pianos in the Cowell, Cage, et al tradition, than the similarly popular tradition of piano-guts playing in the vein of Maroney, Neumann, et al. Having settled in Brooklyn and taken on an academic career after spending most of his life in his native Italy, where his early adult years were spent playing avant-leaning jazz, this disc is an overdue resumption of musical pursuits for a savvy and talented musician with no desire to be a redundant ivory tickler. Like horn players who develop idiosyncratic timbral vocabularies without abandoning the conventional physicality of their instrument and its attendant resources of ingrained melodic and rhythmic intuition, Nicola avoids both extremes in the continuum from banality to abstraction. The secret of improvisation is avoiding cliches; the unique states of disrepair of these pianos virtually guarantee success, but Nicola’s phrasing is so precise and nuanced that the music goes a lot deeper than timbral novelty. Just like the man who made it, the music is endlessly clever, astute, and playful. Sometimes I get burned out on piano music, but this disc proves how incredible the instrument can be when it’s not limited to the same 12 notes and the same clean attacks and decays. Bravo to the new and promising Italian label Long Song Records for sharing a distinctive gem deserving to be heard.
Micheal Anton Parker – Downtown Music Gallery


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  • Di Long Song Records » Two new albums released! il 14 novembre 2008 alle 21:21

    […] Nicola Cipani “The Illl-Tempered Piano”: Nicola Cipani’s “Ill-Tempered Piano” is a suprising and playful album of solo improvisations played on broken and untuned pianos. Cipani’s accomplished melodic and rhythmic approach and his responsiveness to each instrument’s raw potential set this project apart. The recordings were made over the span of two years in different New York City warehouses, on several keyboard instruments (among the pianos you hear also a clavichord), some of which are so damaged as to be hardly recognizable — but each piece takes the peculiarities of its instrument as a starting point, not as a limitation. What results is a collection of fresh, clever and fully-realized sound experiments performed on the strange landscape of each piano. The album is unpredictable and captivating — one to be heard and re-heard. News dipa 15 September 2008 […]

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